2024
2024
2024
2023
2023
2023
2022
2021
2021
2020
2019
2018
2017
Audio Máquina
Hypar Legacy
UPS: Cellulose Trestle
Little Helper
Volumen Series
The New Final Form
Void Cabinet
Silla Estándar
For the Love of Canti
Extraños
Nail Bottle Opener
First Arrival
Shanghai Bench
product
editorial | research
material research
furniture
furniture
product
furniture
furniture
furniture
scenography
product
product | art direction
furniture
self-initiated
écal thesis
écal
horgenglarus
álbum goods
ceramaret
ballista space
galería mexicana de diseño
self initiated
ananas ananas
galería mexicana de diseño
&asociados
swedish wood
For the last two years I have been personally questioning myself, how to do less with more, how to be efficient and in some way, how to design lightness.
This short publication explores the relevance and potential applicability of the Hypar movement in contemporary design scenarios.
We live in an era increasingly characterised by scarce raw material resources, overwhelming waste production, and an urgent need to reassess the environmental impact of our practice.
Lastly, the document is accompanied with an editorial appendix showcasing the current state of some of this constructions in Mexico City, Culiacán Cuernavaca and Guadalajara.
Photography: Paula Valadez + Emilio Ramírez
Memorie Guidance: Anniina Koivu, Brynjar Sigurðarson, Amandine Gini.
Graphic Design: Maximilian Inzinger
FULL TEXT UNDER REQUEST.
Eduardo Altamirano (MX, 1992) is an independent designer who graduated from Écal Master in Product Design. Since 2017 he has been actively working in the three-dimensional world under the pseudonym of en la superficie.
For press, inquiries and commissions, please get in touch with me at: hola@enlasuperficie.com
services
For press, inquiries and commissions, please get in touch with me at: hola@enlasuperficie.com
services