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Sonido Material
Audio Máquina
Hypar Legacy
UPS: Cellulose Trestle
One Bike is Enough
Little Helper
Volumen Series
The New Final Form
Void Cabinet
Silla Estándar
For the Love of Canti
Extraños
Nail Bottle Opener
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product | research
product
editorial | research
material research
mobility | concept
furniture
furniture
product
furniture
furniture
furniture
scenography
product
product | art direction
scenography
furniture
self-initiated
self-initiated
écal thesis
écal
decathlon
horgenglarus
álbum goods
ceramaret
ballista space
g m d
self-initiated
ananas ananas
g m d
&asociados
itesm ccm
swedish wood
Inspired by cantilever construction systems, the Atrium Chair reflects Attolini’s pursuit of essentiality. Designed to function with only the most indispensable structural elements, it engages a balance between humility and generosity, establishing a direct conversation with the formal nature of the space. Crafted from ash wood stained in a violet hue, the chair represents a primitive iteration of my previous cantilever design from 2021—simplified and refined into a more direct, rational language. The absence of front legs grants it a secondary function: it can be suspended over surfaces, such as a table, further emphasizing its structural logic.
Photography and Creative Direction: Alejandro Ramirez Orozco
Production: Sofia de la Macorra
Digitech: Fera Maldonado
Retouching - Alejandro Ramirez Orozco & Fera Maldonado
Location: Casa del Atrio, Mexico City
Clothing: Revés by Sofia Rodriguez
Project Text: Suleman Anaya
Talent/agency: Marcela Velmur & Guerxs Agency
Eduardo Altamirano (MX, 1992) is an independent designer who graduated from Écal Master in Product Design. Since 2017 he has been actively working in the three-dimensional world under the pseudonym of en la superficie.
For press, inquiries and commissions, please get in touch with me at: hola@enlasuperficie.com
services
For press, inquiries and commissions, please get in touch with me at: hola@enlasuperficie.com
services